Dec 12, 2015
On Holidays & Hiatus
I was asked two weeks ago by one of my full time teaching colleagues some questions about becoming a novelist - they were trying to give a year 11 student some guidance.
So I was letting him know the average earnings of Australian authors and the fact that its probably best if the student has a career or some training to fall back on.
But we got talking about what I was doing and how I work part time so I can write. This got me thinking that, while I have had some success with poetry publications over the last few years, I have taken to making myself busy with projects that are on the periphery of my writing, that don't stretch me and that allow my to "hide" from the task of improving my writing.
So for 2016 I won't be reviewing. That is to say that I won't be taking review copy to read. I will of course still support and share other's work via social media and you may see the occasional novel that I have read to take a break from the only project that I intend to do in 2016.
I will be engaging in a Year of Poetry. I am still formulating the structure but the idea is for me to Read, Write & Rework, Study and Engage reflectively with poetry with a view to improving my craft and output dramatically.
In essence, take it seriously.
If you are interested in following along there's a link to the poetry blog above or you can go here.
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May 3, 2015
Tor open for Novella submissions
For the month of May, Carl Engle-Laird and Lee Harris will be reading unsolicited submissions. Check out the post at Tor here for specific details.
It should be noted that they are actively seeking works from underrepresented populations:
In addition, both Lee Harris and Carl Engle-Laird actively request submissions from writers from underrepresented populations. This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class and physical or mental ability. We believe that good science fiction and fantasy reflects the incredible diversity and potential of the human species, and hope our catalog will reflect that.
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Mar 1, 2015
The Stars like Sand gets some lovin’ from the SMH
The Stars Like Sand Anthology that I featured in last year has a bit of review love from the Sydney Morning Herald. I like how the reviewer begins:
One of the most enterprising, unusual and rewarding anthologies of the last year is The Stars Like Sand: Australian Speculative Poetry, edited by New Zealand writer Tim Jones and Australian poet PS (Penelope) Cottier.
Read more: SMH
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Oct 1, 2014
Writ. Poetry Review is Live
After some teething problems that extended the launch time a little longer than expected, Writ. Poetry Review is up and running. The site is reasonably minimalist, designed to showcase art and words. It also looks as though it’s been designed with tablets and mobile phone access in mind.
They feature a poet every issue and that poet gets a selection of their work shown and an in depth interview. Then you are treated to a number of other poems, some from new or emerging poets and others from luminaries in the field.
The feature poet in the Alpha Issue is Scott-Patrick Mitchell. Some other names you might recognise are: Mark Tredinnick, Zenobia Frost, Nathan Hondros and Benjamin Dodds.
The Alpha issue features a number of poets (some 30 odd poems) and artwork. I am pleased to find myself in very good company.
Enjoy Writ. Poetry Review
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Jan 15, 2014
Virtue or Masculinity?
Paul S Kemp, a writer who sounds familiar but who I haven’t read, posted this yesterday:
Why I write masculine stories
it’s sparked off a few posts by well known writers and there was some commentary before Paul closed off comments, lest the post become a time sink – interesting lack of foresight/prudence perhaps on his behalf. It’s a post that has made me think. I am not sure if I would call it a good post, because I think its certainly presumptive of its readers motives and comes off almost as Apologetics.
Of those writers who have commented Deb Howell has a look at masculine and feminine traits in Because we are…and concludes that we can do without ascribing gender to them. Chuck Wendig digs deep, talking about his own relationship with his father and the sort of Masculinity that existed in previous generations, but also presents the problems in defining some traits as masculine and desirable and by implication other traits as feminine and undesirable. Good post and comments in MANLY MEN TALES, SWINGIN’ DICK STORIES, AND HAIRY-CHESTED HISTORIES.
Liz Bourke in, This, again? succinctly draws the problem of defining the positive virtues as masculine only and calls Paul on it.
For brevity’s sake I have snipped his argument sans the digs at his potential detractors:
As far as I can tell his argument breaks down into:
He writes
- I write masculine stories. Characters whose behaviours and characteristics are what I consider traditionally masculine. Further, those masculine behaviours and characteristics are shown (implicitly or explicitly) as virtuous. Essentially what I’m often trying to show are characters who embody the Roman concept of virtus.
- As a rule they’re men. They drink a lot. They sometimes womanize. They answer violence with violence. They’re courageous in the face of danger. They’re stoic in the face of challenges/pain. They have their emotions mostly in check. And they act in accordance with a code of honor of some kind.
Why he writes
- Like many of you, when I was young I read a lot. Often what I read featured the kind of characters and storytelling I describe above — masculine stories, stories with characters who demonstrate virtus (I’m looking at you Le Morte d’Arthur, and you, Conan). And what I read shaped how I viewed myself, how I viewed the world and my place in it, and indirectly (and along with a lot of other obvious things) helped shape and refine my moral code — Honor, courtesy, respect for self and others, even (a kind of modified) chivalry. It’s served me well in life.
- So I try in my own small way to carry that torch forward and provide the kind of exemplars of virtus that I found and find so compelling. I don’t think there can ever be too many.
He’s not anti-woman or anti-anything because:
- By providing exemplars of certain behaviours and characteristics that I consider virtuous, I am not thereby asserting that other behaviors and characteristics are necessarily non-virtuous. E.g., I think it’s great for a man to be empathetic and show his feelings or otherwise demonstrate sensitivity.
- Nor does it mean that I particularly value traditional feminine virtues in women. In fact I appreciate strong women with strong opinions (as opposed to demure, quiet women).
What do I have an issue with? Well at first I was put off by his assumption, that should I disagree with him that its because I obviously think he is a right wing, gun toting Neanderthal. I’d prefer to see his arguments do the talking instead of being told upfront not to prejudge him.
But lets move past that tactic.
I’m ok with the fact that he writes characters who extol, to differing degrees the Roman value of Virtus (is it the original concept of martial courage though or the more refined concepts of Prudence, Justice, Self Control, and Courage) . Are the stories about Ancient Rome, is he limited to writing about men? Not as far as I can tell. Add to this, how much do we understand as modern readers, of Roman culture and their approach to virtues? I’d argue very little (unless you study Ancient history). Most likely we see what we want to see through a lens of attitudes formulated in the last couple of hundred years. None of these virtues though are exclusive to men, they might have been an ideal for men in Rome but …we’re not in Rome anymore Toto
Then looking at his characters as he describes them, they are oddly lacking in some of the virtues above. That’s okay if you are presenting flawed characters and making them human, but is Paul doing this or is this concept of Virtus weighted towards the violent and the martial.
I’m also ok with why he writes. Paul says its because the stories that he read growing up, the stories that he loved exhibited these virtues and they have become part of who he is and he feels it’s a good part. I won’t disagree with him here - in that the application or interrogation of the Virtues that make up that concept of Virtus are good things to consider.
I’m ok with the idea that he’s carrying a torch for a more Virtuous life, although I am not confident that some of the harder virtues to master can be developed solely through reading fiction ie one doesn’t cultivate Stoic serenity by reading about it, but by practise and application. One can read “Anger leads to the Dark side” but that won’t help you unless you learn to deal with anger (strangely we never see Luke practising not getting angry).
I do object to the fact that he ties this concept to gender. The ancient Greeks attached no gender to their concept of Virtue / Arete, (and they are similarities/ties with Roman philosophy ) if a traditional argument is required.
He claims that by promoting one thing as Virtuous does not mean that other things are not virtuous which is rubbish really if one claims Temperance is a Virtue then Intemperance is a vice but maybe what he should have said is that he values these Virtues above others like Compassion. He’s not all that clear really. His example of Empathy, or displaying one’s feelings as not as virtuous as those he promotes, demonstrates a luck of understanding common among most of us as to what was meant by the Virtue of Temperance or Self restraint. Stoic resolve self control is, for example is not about suppressing the emotions, it’s about not letting them rule you, this goes for anger as much as it does for sadness. So a truly virtuous woman or man can and should express their emotions in a controlled fashion.
He carries the torch for Virtues he sees as traditionally masculine, and uses men as exemplars. He says he isn’t saying that women can’t exhibit these Virtues but that men should. This is problematic because it exacerbates a gender division and gender concepts that are troublesome.
If the virtue is the important thing then the gender doesn’t matter. If he was really wanting to carry the torch then he’d have many genders displaying various aspects of the virtues.
If he likes writing guys, is comfortable doing so, well then fine it will attract a certain type of reader and will be unbalanced but I'm cool with that. But if he thinks he is doing a good and virtuous thing by writing “Masculine Stories” I'd argue that maybe some contemplation is in order.
On a personal note, I live in one of the most Gender polarised countries in the OECD, traditional masculinity causes more problems than it’s worth and often is far removed even from what Paul alludes to in the Roman concept of Virtus. In Australia traditional masculinity often means: standing up and fighting for yourself (with an emphasis on the fighting) not displaying emotion other than anger, drinking to excess, not valuing women as anything other than wives or mothers. It does not prepare men for setbacks or differences of opinion, nor does it grant men tools to deal with situations where fighting or f*cking won’t fix it.
Jan 13, 2014
Dimension 6 Opens its portal for submissions
A new initiative of cour de lion publishing, Dimension6 emagazine, is now open for short story submissions via email. They are a paying market (flat rate of $100 per story).
They are looking for word counts between 4500 and 40,000 words.
Dimension6 will be three times a year and distributed free and DRM-free through a variety of websites. Check out their Submissions page for more info.
The current reading period closes on 22 February, and the first issue of D6 is due out 4 April.
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Dec 31, 2013
End of 2013
Here it is. The obligatory end of year post where I inflict my reflections on you. This post will be a mixture of the personal and the professional( is my blogging professional?). First up:
Reading
| Number of books read | 54 |
| Number of manuscripts read | 2 |
| Gender Breakdown | Female 25 (46%) |
| Male 22 (41%) | |
| Mixed 7 (13%) | |
| Genre Break down | Non-Fic 2 |
| SpecFic 43 | |
| Crime 5 | |
| Comics 2 | |
| Poetry 1 | |
| SF Erotic Fiction 1 | |
| Nationality/ Ethnicity | |
| American | 17 |
| UK | 7 |
| Philippines | 3 ( 2 Single author, 1 anthology) |
| Singapore | 1 (anthology) |
| International Non Anglophone | 2 (Int. journal, anthology) |
| International Anglophone | 1 (collection) |
| Australian/NZ | 22 |
| Australian Aboriginal | 1 |
First things first, the number of works read is significantly down on the two previous years. I blame (ironically) having to manage and run a library. About 7 hours a week were eaten up in commuting, not to mention that I did take over the helm at Galactic Chat and with the help of the dedicated team of roving interviewers managed to put out a show a week from mid year on. But more on that later. I suspect I will read more and work less next year.
I read only 7 more books after my October gender audit and while I still managed to read more women overall(53% when I take out mixed collections), it was still shy of the 60/40 split I aim for.
My genre breakdown as you would expect from a SpecFic reviewer is heavily weighted in favour of that genre. I don’t expect that this will change too much.
Nationality/Ethnicity was an attempt to dig down into how diverse me reading is. As you would expect the largest grouping is Australian authors (13 of which would be women) skewed by the Australian Women Writers Challenge. The next biggest grouping being American authors, shows I think, the dominance of that market in publishing. There might have been one or two traditionally published review books in my Australian authors but I suspect most SpecFic being published traditionally is coming in from the US. The UK books would be mostly Crime, with some Young Adult fantasy.
Thanks to Charles Tan I discovered the wonderful Filipino writing community. His tireless efforts in getting hard copies out and Flipreads’ forging ahead to make digital distribution inroads led me to discover some really great speculative fiction writers. I now have several books to continue on with next year.
Thanks also to Joelyn Alexandra for bringing a number of works with her from the Singaporean community in 2012, some more will feature in my reading list next year as well.
What I would like to do next year is to incorporate some extra diversity in the form of QUILTBAG fiction. There’s been a smattering of stories throughout some of the collections that I have read this year but would really like to challenge myself with some different perspectives and longer works. I have enjoyed work from Benjanun Sriduangkaew (see Silent Bridge, Pale Cascade) and JY Yang. Feel free to suggest QUILTBAG writers, collections, stories in the comments.
Podcasting
I started the year with some grand plans to run the Adventures of Bookonaut Podcast and managed to create 5 Episodes. They are worth checking out here. But then the opportunity came along to take on the Galactic Chat Podcast previously run by the award winning team that brings you Galactic Suburbia. I had been a heavy contributor to the show (hence my desire to create my own podcast) and when Tansy and Alisa looked at their schedules they decided to offer the show running to me instead of closing it down.
I found out how hard (even with help) producing a podcast is. Never forget the often silent behind the scenes work that goes into the free content you listen to. That being said I wouldn’t change it for the world.
Relaunching in June with the prelaunch special interview with NK Jemisin it has been a good year. Our achievements were:
- 22 Interviews in 6 months (almost an interview a week)
- Gender breakdown of 17 female and 5 male authors
- Nationality breakdown of 19 Australian(1 POC), 3 International (two POC included)
- Site visits quadrupled from 11652 at the start of 2012 to 44586 as of today
- Episode hits increased from 1493 to 3732 in the same period
- Our top 5 most downloaded episodes(bearing in mind some have been live longer) were
- Margo Lanagan and Rochita Loenen-Ruiz who tie on 192 downloads
- Julia Rios
- Kathleen Jennings
- NK Jemisin
- Stephen Ormsby
You can peruse our selection of interviews below, just clik on the icon in the top right hand corner to see all the interviews.
Writing
I surprised myself this year by becoming a published poet. A big thanks must go to Jodi Cleghorn and Adam Byatt who initiated the Post-It Note Poetry Event in February. It was they and the subsequent formation of the Post It Note Poetry Society that saw me develop the confidence to start submitting first to non paying venues and then on to paying gigs. My thanks to my fellow society members for their wise words and shoulders to cry on.
My tally this year was:
- 2 poems hosted at The Glass Coin (non-paying curated site)
- 1 poem published at Adelaide INDAILY magazine ( paid in stock)
- 1 poem accepted for publication in March 2014 Tincture Journal (paid publication)
- 1 poem accepted for Speculative Fiction Anthology published in 2014
I am probably forgetting things but looking back over the year there’s good reason I was feeling a bit knackered come the Christmas Holidays. I think I can mark this year off as a success.
Thanks for reading and see you next year.
Dec 5, 2013
Attention YA authors
Twelfth Planet Press are producing a Year’s Best Young Adult Speculative Fiction. The details below:
Editors Alisa Krasnostein and Tehani Wessely are now reading internationally for the inaugural anthology, and are seeking Young Adult speculative fiction first published in 2013 for consideration.
Our goal is to uncover the best young adult short fiction of the year published in the anthologies dedicated to the form, the occasional special edition of a magazine, and individual pieces appearing in otherwise “adult” anthologies and magazines, and bring them together in one accessible collection. So many young readers are avidly reading speculative fiction in novel form; we want to introduce them to the delight that can be found in the short story as well.
What is YA? We define the Young Adult arena of speculative fiction as being multi-faceted. It’s not just about the age of the protagonist; it’s not just about the generally accepted “coming of age” story; it’s not just stories about young people and the (figurative or literal) journey they are on in life. We’re not afraid of stories that shine a dark light on human nature, if it is relevant to the YA theme being explored. We aren’t scared of things that go bump in the night. We want science fiction, fantasy, horror, and all of the subgenres associated with these. We want to explore diversity in all forms, because young people are diverse, and they want to see themselves and their friends in the stories they read. We consider Young Adult to be a subset of adult fiction rather than children’s fiction.This is a REPRINT anthology. We are only reading material first published during the calendar year of 2013. Reprint submissions are welcome from anywhere in the world, in the English language (we are more than happy to consider translations of works appearing for the first time in 2013). We anticipate a publication date in the first half of 2014.
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Sep 13, 2013
Dialogue by Gloria Kempton and free shipping
Just a quick note for Australian readers. My copy of Dialogue by Gloria Kempton arrived today from Booktopia where they have the book on sale for $9.95 (sans shipping if you include the code READING before midnight this Sunday). I am about halfway through Plot and Structure, another title in the Write Great Fiction series and was happy with that so I thought it was worth it as part of my dedicated push toward self directed learning.
A review will be forthcoming, but not for a couple of weeks or perhaps longer. If you want to check out out the direct link to booktopia is here and Goodreads has a fair selection of reviews here.
This blog supports itself through affiliate links to Australia's favourite bookstore Booktopia
Sep 10, 2013
A Writerly Update
News, views and interviews – huh? Well I think the reviews have been pretty steady but I am surprised how only working three full days a week seems to sap all the energy from me. But truthfully, while I may not be blogging as heavily, when I cast my eye over the projects on the boil at the moment, I am doing quite a bit. So this is a writerly update but its also me taking stock – bear with me.
Boiling away we have:
- Plotting on my BFF (big fat fantasy) – I am about half way. At the point where I really need to be immersing myself and working on it every day which I am not.
- I am helping someone edit their novel manuscript - I recommend it actually, much easier to pick out structural issues in another’s work, to see the framework that helps make a good story.
- Interviewing and post production for Galactic Chat – this is happily chuffing along. The post production is a considerable load especially every week. My admiration and respect goes out to all the silent producers.
But there was a small gem, one of those wins that you have to stop and really appreciate before life moves on. I received notification last week (and those on Twitter and FB will know already) that a poem I wrote was selected for inclusion in a print anthology to be published next year. Stay tuned I will be spruking it like no tomorrow when it comes out.
So until next time enjoy your reading and listening, we have an Hugo Award winning author in our upcoming Galactic Chat Podcast.
Aug 13, 2013
Not a book review–Writing Fiction for Dummies
This isn’t a review as such because I don’t really have the time to give the book the attention it deserves and there’s parts of it yet that I haven’t got to and don’t need to yet.
But…
I wanted to note that despite my instincts and the aversion to Dummies titles, this book has turned out to be invaluable.
You see I have two manuscripts, one stalled at 50 thousand words the other at 10 thousand. I have been to a smattering of courses but not one has really covered the basics in the way this book has. With some of these courses it’s outside their scope and with others, well I guess its assumed knowledge or the instructors simply don’t approach their writing in such a structured way. I guess it can be hard to teach the basics when you yourself have learned largely by doing.
This is where my work and fiction lives connect to some degree. There’s a movement and there has been for some time towards explicit teaching, moving away from whole of language theory. And that’s what I find this book is explicit teaching with a broad range of examples from Austen to Tom Clancy.
There’s structure to a good novel, and whether you’re a panster or a planner you really need to know what that structure is, or it least you should know because the structure works.
And I am finding that having applied what I have learned I have some idea where I am going and I can see the end of these manuscripts in sight. Its a book that I find myself returning to and re-reading. It’s a book that has helped me in my reading of fiction as well-enabling me to better articulate why a story does or doesn’t work.
And while critics might say that its formulaic I would counter with the observation that I can write a Shakespearean sonnet with its fourteen lines divided into 3 quatrains and final couplet, its rhyme schemes and its theme/problem and resolution but no one will ever mistake my poetry for that of Shakespeare. The devil is in the detail.
So if you’re stuck and not really sure what the three act structure is and how it applies to some of our great works of literature and to commercial genre writing then I suggest taking a look at it. It also has an excellent list of extra reading that focus on specific areas. To those that say you can’t teach writing I’m inclined to say horseshit. You can give a person a box of tools, show them how to use them and in the end what they make will be up to them.
You can buy Fiction writing for Dummies at Booktopia. But I was able to borrow my copy from the library.
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May 22, 2013
Ira Glass on Creative Success
care of Peter Ball and Queensland Writers Centre.
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May 21, 2013
Sean’s State of the Blog Address
Apart from awards postings it’s been pretty quiet round these parts. Truth is I am busy. The day job which I do three days a week is sucking 5 days energy out of me at the moment and it’s getting on into Winter (cold and dark).
That being said there are great cogs in motion, momentous designs afoot.
Galactic Chat
You may have noticed there’s a slow down in Galactic Chat. The reason for this is two fold: 1) I started my own podcast in December and contributed a number of interviews to that and 2) Galactic Chat is undergoing a bit of a refurb.
I have been handed the conch by its founders and will be relaunching in the near future with a slightly different format and some fresh voices. So keep your eye out for Galactic Chat Version 2
Writing
I have done virtually no short story writing, but have submitted poetry to a couple of competitions and intend to submit one to a specfic anthology.
Reviewing.
There’s been a slowdown in books reviewed this year. Due to the lack of energy and that some or the books I have received from big name publishers have been pretty ordinary- note that’s not bad, but they lack a certain something. I sat down to read Graham Joyce’s Some Kind of Fairytale they other day and had to stop (its a non review copy) because it is the kind of writing that is just a pleasure to read. I knew it would keep me from books I have to review. Luckily I got in the mail the other day George Turner’s The Sea and Summer .
I have to rotate through my review copy so that all my publishers get a fair go. I am hoping that after The Sea and Summer I’ll be able to get into some works by Cat Sparks, Eliza Victoria and the anthology Next.
Viewing
I must admit with the coming cold and the lack of energy my port of call has been good quality drama. Therefore I have imbibed Season 1 of Hell on Wheels and Season 1 & 2 of Lark Rise to Candleford. I have been greatly enjoying Call the Midwife and am wondering when Dr Who will get back to being a drama with touches of the same quality. Maybe they need some more Cornell writing.
Apr 6, 2013
Winged Lives Wagered at The Glass Coin
My poem Winged Lives Wagered is live at The Glass Coin. So feel free my hordes of readers to go over and make a comment or if you prefer the serenity of this blog to make a comment below or at my dedicated poetry blog – Words Poetical
Winged Lives Wagered was written as part of Post-It Note Poetry month. An event that was spawned by the brains of Adam Byatt and Jodi Cleghorn and held on a Facebook group. Each participant was encouraged to write a poem a day, something that would fit on a post-it note. The emphasis was on just writing poetry(and actually writing not typing), not worrying too much about how good it was, not giving time for our internal editors to stifle the flow.
It was and still is the best poetry writing activity I have participated in.
It is amazing what you can achieve when under a little pressure. Not everything was a brilliant work of art (speaking of my own work) but there were some good works that I am proud of. One of them is Winged Lives Wagered.
Winged Lives Wagered
Two roosters crowed a dueling song
and mornings break still yet to come,
I lay and watched the stars explode
as with my hands I rubbed at sleep
that glued lids shut in pleasant dreams.
With fitful breath I did, it seems
upon the name of demons call
for plagues of mites or chicken flu.
For sleepless nights can lead a thought,
to winged lives wagered and souls bought.
I own chickens and the roosters that inspired the poem, never crow at the break of dawn, instead preferring to start a competition at around 3am. It’s led to many a nights wishing I had a sharpened axe.
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Mar 26, 2013
Writing update - Poetry
Work is keeping me busy but I have found time to pen two poems and submit them in the past couple of weeks. And today decided to kick my arse into gear for a short story prize - The Carmel Bird Award.
So on the writing front I picked up a rejection from the magazine I sent Bad Ground (my Cthulu-esque/weird poem) to. They were very kind in their rejection and gave positive feedback, so I am taking the rejection as an indication that I am on the right track and I just need to keep going/refining.
After taking said poem along to my writing group (after I subbed) who gently teased it apart I was worried that It might get published and it wouldn’t be as good as I can see it becoming. So, close call there (and what a way to rationalize a rejection).
I decided to enter the Kernewek Lowender literary prize that’s held in South Australia’s little Cornwall – Moonta. I had no idea what sort of poetry they were after, however, the theme for this years prize was Smugglers and Sinners so I penned The Smuggler’s Reply; a poem in iambic tetrameter by an anti government/establishment smuggler or free trader.
Learnt quite a bit about Cornwall and smuggling in researching the background for that one. Won’t know ‘till about May if I had any luck, as there’s only a winner and runners up announced/advised, all other entries are destroyed.
Mar 7, 2013
Writing Updates
Well, let’s see its been nearly 2 months since my last confession. My first story has had three rejections and currently its spending time in solitary, contemplating how it could be better. I know I should have sent it out again, but in the intervening time I have picked up a part time job that has all but killed my time and motivation.
I did, as you will have noticed rediscover poetry in February which resulted in my writing a speculative fiction poem that I have submitted for publication in an online magazine. So I haven’t been totally sedentary. It’s called Bad Ground and has an Australian/Cthulu-esque vibe.
I tell you though if you think its hard working out submission requirements for short stories, well poetry guidelines seem to be even more nebulous and seem to amount to make sure it’s good and if you write traditional poetry ie metred verse with rhyme, make sure it’s bloody good.
So do I think I have a chance…no idea.
I am not a big fan of free verse, I prefer the likes of Emily Dickinson and Robert Frost. Or maybe it’s the quality of the free verse I have read? For I can be put off by wrenched rhyme and clichéd turns of phrase as much as the next person.
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Feb 8, 2013
Post-it Note poetry–Tiny Box
This poem was inspired by a friend on Twitter:
Dear Humans of the World, Identity is fluid and personal. I find your constant desire to fit others into specific tiny boxes exhausting.— Holly Kench (@StuffedO) February 7, 2013
As such it is dedicated to Holly.
Tiny box
you place me in.
Nice and neat, squarely done.
Who are you to place me so?
Box yourself.
Let me go
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Feb 7, 2013
All your Space Marines belong to us
Post-it Note Poetry–The Cant of Pines
I was walking along one of the country roads that border our property – a limestone base that’s been compressed to the consistency of concrete.
I was enjoying the cooler temperature and the audiobook of A Canticle for Leibowitz. The road is well used and it pays to keep your wits about you. The air was fairly still and I could hear a low murmur over the audio form my mp3.
An approaching car perhaps? No. As I got closer to a vacant property I realised it was the pines, seeming to whisper in a breeze I could barely feel. And so The Cant of Pines was inspired.
The Cant of Pines
Twilight
in pink and blue.
Needles sibilate in soft wind
As I pause to learn the cant of
pines
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Feb 6, 2013
Post-it Note Poetry–Well
Today's poem inspired by the participants of the Post-it note poetry event. I haven’t written poetry, even bad poetry for quite some time. So thank you.
Well
of words, boarded.
Small ripples in the dark,
friends work the rusty nails, dropping
pebbles.
For those interested I am using a type of form poem called a Cinquain. There’s a multitude of variations. Give it a go yourself and participate.
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