May 26, 2011

Colin Taber on Authors and Social Media

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Welcome to the tenth interview in the Authors and Social Media series; where I interview some of Australia’s most acclaimed speculative fiction authors and some rising stars.

Colin Taber, author of The Fall of Ossard  will be answering 5 questions on Authors and Social Media.

 

Sean:

How important do you view social media to selling your books or interacting with fans?

Colin:

Simply, it’s vital.

While there are other ways and venues for interacting with fans (such as old fashioned snail mail and face to face meets at signings and the like), social media makes interactions not only more immediate, but more likely. That’s a bonus for both parties.

Social media also gives me exposure to thousands of potential readers everyday. Unlike most writers, over half my readership has found me through the medium, whether from their friends’ recommends, shared posts, or carefully targeted advertising. Social media has given me thousands of readers scattered around the world. I love it.

Sean:

Do you or would you want to receive any guidance from your publisher/agent on interacting via social media, both in a technical sense or in a 'professional presentation' sense.

Colin:

I’ve received little guidance other than cautioning about what I might say. Of course, that leaves huge scope for me to put my foot in it. I try to be careful. Sometimes I post something and then remove it, more because I’m fishing for a reaction. I rarely swear on social media. I never post anything that I’m not prepared to wear, regardless of whether I’m planning on posting and deleting it later.

 

Sean:

There have been some recent examples of inexperienced authors reacting badly on the Internet in response to blog reviews etc., what are your thoughts on being social media savvy? What advice would you give to new authors?

Colin:

I imagine it’s something that has always happened, but now such incidents have the capacity to go viral with social media. Authors just need to put on their work face and be professional. In regards to people posting their own opinions about your work, whether as comments or reviews; you win some and you lose some. You can’t control what other people think, so ignore it.

If you post something, even if you plan on deleting it, you have to accept that it’s going to be ‘kept’ somewhere in the digital ether. Aside from always thinking twice about posting, also think about the nature of what you’re going to say. If you’re posting reviews of books and wanting to be a bit out there, you’ll need to consider that one day you might very well be sitting in a con’s green room with an author you had a go at years before on your blog or that a potential publisher might be turned off by your vitriol. What you post cuts both ways.

Sean:

In my experience Social media breaks down normal communication conventions. People can be more familiar and 'take liberties'.  Have you experienced problems where this ease of communication has lead to followers/fans 'crossing the line' or has your experience been entirely positive?

Colin:

Mostly my experience has been great. I love getting messages, feedback and ‘likes’ from readers. Such interactions help soften what is ultimately one of the loneliest trades. Having said that, I have had to modify some of my online availability because otherwise I’d never get anything done. There is scope for people crossing the line. I’ve seen it happen elsewhere, but so far it hasn’t happened to me, not in a big way.

I also get a lot of emails and messages (via Facebook, Twitter and Goodreads) asking how I’ve managed to do what I’ve done in regards to online marketing. Those always take me by surprise. I try and deal with some of that sort of stuff in my blog (or, more so, will soon be). The second most common email or message I get asks when the next book is coming out; thankfully, with Ossard’s Hope now released, that issue is behind me – until my readers finish reading.

 

Sean:

How vital is social media to the genre in which you write and how do you think social media will effect the way you write and interact in the future?

Colin:

These days social media is a huge part of how people communicate and find out about new books and share ideas. Everyday it brings new readers into my genre, educates people already reading within it about new titles and authors, and adds to the growing breadth and depth of that community. To say it doesn’t impact me would be to put my head in the sand. For now (until something better comes along) it’s a very real force.

Likewise, to say that the contacts that social media enables doesn’t impact my writing would again be to delude myself. While my storylines are pretty much set when I start out on a project there’s always opportunity for some elements to be shaped by external input. If I wasn’t influenced by reader feedback I wouldn’t be human.


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Colin’s first book The Fall of Ossard, complete with Shaun Tan cover art has been out for some time.  He’s just recently released it’s sequel, Ossard’s hope.

 


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Margo Lanagan on Authors and Social Media

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Welcome to the ninth interview in the Authors and Social Media series; where I interview some of Australia’s most acclaimed speculative fiction authors. 

Today’s interviewee really shouldn’t need an introduction - Margo Lanagan will be answering 5 questions on Authors and Social Media.

Sean:

How important do you view social media to selling your books or interacting with fans?

Margo: 

Very important for interacting with fans and the curious; less important for generating sales. Extremely important for interacting with colleagues.

 

Sean:

Do you or would you want to receive any guidance from your publisher/agent on interacting via social media, both in a technical sense or in a 'professional presentation' sense?

Margo: 

I don't receive any such guidance, and I wouldn't want to, really; I feel it's up to me to create the impression I want to present. I don't use social media in 'professional presentation' mode. My online persona sits somewhere between professional writer and complete goose, and I enjoy best other writers' use of social media that does more than just alert you to their new books, workshops and upcoming appearances. I like a chat, and every now and then I want some meme like #lessambitiousbooks and #crapfantasyswords to reduce me to tears of laughter.

Sean:

There have been some recent examples of inexperienced authors reacting badly on the Internet in response to blog reviews e.t.c., what are your thoughts on being social media savvy? What advice would you give to new authors?

Margo: 

Remember you're out. It's a public forum and a permanent one (although Twitter FEELS very fluid and inconsequential). Think about how much embarrassment you can stand. I don't think social media rules are all that different from general social rules. Or general writerly rules (e.g. don't answer reviews - but opinion pieces are fair game, and personal slights are there to be pointed and laughed at :) ). Also, remember that there is a Delete button on Twitter, for when you mistype something, or decide, 'No, that was just a bit hotheaded.' And, sometimes it's just healthier to walk away from all forms of social media for a while. As with all non-writing activities, you need to be able to recognise when you're doing it for purposes of avoidance.

Sean:

In my experience Social media breaks down normal communication conventions. People can be more familiar and 'take liberties'. Have you experienced problems where this ease of communication has lead to followers/fans 'crossing the line' or has your experience been entirely positive?

Margo: 

No, no one's crossed the line. The odd rude comment has turned up on the blog, the odd bit of spam on Twitter, but that's about the extent of it. Balanced against the amount of fun I've had, and the people I've e-met, and the knowledge I've gleaned, that's nothing.

Sean:

How vital is social media to the genre in which you write and how do you think social media will affect the way you write and interact in the future?

Margo: 

Social media are pretty much the oil that keeps the big machines of speculative fiction working. I mean, of course people organised conventions and awards nights and magazines and book publication before Twitter and FB came along, but all that is so much easier now. Not to mention just general networking and gasbagging. The online community for spec fiction is extremely lively. I've been blogging for 6 years, tweeting for 2 and on FB for about a month. I wouldn't say it's changed the way I write my fiction, but it's certainly meant that I'm a much more social person than I was in the 90s—I had small children then, and I think I would have been a lot less lonely if I could have vented a bit of 3am misery on Twitter! (You yoong people, so lucky.) I have no idea how social media will affect the way I interact in the future; at this stage, I just hope it sticks around in some form or another.


Margo has a series of great books out.  She’s a prolific short story writer and produces distinctive, offbeat work that weaves easily between fantasy, myth and the everyday.  I never know what to expect when I read a Lanagan short story, other than she will suck me in, surprise me, and leave me with a pleasant uneasiness.

yellowcakeHer latest short story collection is Yellowcake, but she has several, each being an absolute gem.  You can find her other collections  here .

 

 

 

 


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Kirstyn McDermott on Authors and Social Media

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Welcome to the eighth interview in the Authors and Social Media series; where I interview some of Australia’s most acclaimed speculative fiction authors.  Today we have Kirstyn McDermott answering 5 questions on Authors and Social Media.

Sean:

1. How important do you view social media to selling your books or interacting with fans?

Kirstyn:

Social media is playing an increasingly important role in word-of-mouth book sales and general publicity and it’s not something that authors and publishers can afford to overlook. That said, I don’t think it’s vital for each and every author to become a social media ninja, especially if it’s not an arena they feel comfortable playing in. (Bad social media skills can be worse than having no social media presence at all.) The exciting thing about the way social media works is that you don’t have to be on Twitter or Facebook or even blog regularly – you simply have to come to the attention of those who do. And I do think that good work will eventually get the right sort of attention even if the author isn’t out there every day aggressively promoting themselves online. Because quality still counts.

When it comes to interacting with fans, social media is awesome for direct, immediate and easy contact. That comes with its own problems relating to personal space and time management, of course, but for me these are definitely outweighed by the advantages.

 

Sean:

2. Do you or would you want to receive any guidance from your publisher/agent on interacting via social media, both in a technical sense or in a 'professional presentation' sense?

Kirstyn:

I haven’t received any guidance from my publisher – although my agent has despairingly warned me about the timesucking perils of Facebook – and I’m not sure it’s the sort of advice I’d want. I’m careful in the way I use social media, from a personal perspective, but also very casual about it. Official “guidelines” wouldn’t really sit well with me but then I have made my own unofficial ones which I try to follow. I know some authors who have harnessed social media in a big way and have really take advantage of the promotional capabilities of various platforms. I don’t really have the time to do that and I also don’t feel it’s something I want to do just yet. Right now I’m happy just interacting with people on a personal level and allowing the professional stuff to bleed in when necessary. I’m probably a lot more “professional” about my blog/website these days whereas Twitter is still somewhere I get to play around and goof off a lot more.

 

Sean:

3. There have been some recent examples of inexperienced authors reacting badly on the Internet in response to blog reviews e.t.c., what are your thoughts on being social media savvy? What advice would you give to new authors?

Kirstyn:

It’s really important to remember that social media is, quite simply, people. So you have to behave online pretty much the same way you might behave when interacting with people offline. Be nice. Be polite. Be helpful. Don’t run around in circles tearing your hair out and screaming loudly. That will get you noticed, sure, but in all the wrong ways. Face to face, people tend to be fairly good in their dealings with each other. Put an interface between us – be that a car, a letter, a uniform, a computer screen – and it appears to give us license to be awful. Add anonymity into the equation and that license becomes unlimited.

So my advice would be to remember that behind every computer screen sits another human being, and you should treat them as such. In short, don’t be a dick on the internet. And if you think someone else is being a dick, then walk away and take a few deep breaths before you respond. Lastly – and this is really important – keep in mind that the internet is public and forever. So don’t put anything online that you wouldn’t be happy for anyone to see or read. That includes your mother. And your stalker.

 

Sean:

4. In my experience Social media breaks down normal communication conventions.  People can be more familiar and 'take liberties'.  Have you experienced problems where this ease of communication has lead to followers/fans 'crossing the line' or has your experience been entirely positive?

Kirstyn:

I haven’t really experienced any problems of this nature, but then I don’t think I have a high enough profile to attract this sort of attention. Actually, one of the best random online experiences I’ve had happened a few years ago when I sold something on eBay and the person who bought it later enquired if I was the Kirstyn McDermott who had written a particular short story they’d read a couple of years previous. They’d liked it so much that my name had stuck with them – this was well before I had a website or any real social media presence – and I was pretty well chuffed to have them mention it.

 

Sean:

5. How vital is social media to the genre in which you write and how do you think social media will effect the way you write and interact in the future?

Kirstyn:

I work in the speculative fiction genre, and within that in the smaller subgenre of dark fantasy/horror. From the perspective of both professional networking and building a community of readers, critics, writers and other creatives, social media is a powerful and as yet unrivalled tool. One of the downsides, however, is the tribe mentality it can foster. Communities are awesome; tribes not so much. I feel highly uncomfortable whenever an “Us vs Them” dichotomy raises its head, and there’s been a lot of Genre vs Literary and even Genre vs Genre talk going on in recent years. There always has been of course, but social media amplifies it. On the other hand, social media also helps break down literary barriers and bleed genres into one another, creating exposure for a variety of work outside of traditional bookstore shelving systems. Once again, it’s very much a game of swings and roundabouts.

In terms of affecting the way I write, I’m not sure. I see great potential in using the internet and social media for different types of storytelling but it’s not an area I’ve yet had time to explore in any great depth. Social interaction is actually a problem for me. I really need to hone my time management skills and learn to carve out quality time away from the internet. Not just to write, but to think creatively. That’s vitally important to me as a writer and I feel it’s something I’m allowing social media to displace to a certain extent right now.


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I’d like to thank Kirstyn for taking the time to answer my questions.  I hope you enjoyed her answers as much as I did. If you’re interested in checking out her work Kirstyn has been very busy this year:

She’s taken home a Ditmar for the short story "She Said" and was nominated for best novel for  Madigan Mine.  Madigan Mine also took out best horror novel at the Aurealis Awards.

You mustn't forget the rather extraordinary podcast she co-hosts with noted critic and writer Ian Mond at The Writer and the Critic.


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