Showing posts with label Review of Australian Fiction. Show all posts
Showing posts with label Review of Australian Fiction. Show all posts

Mar 27, 2015

Review of Australian Fiction Vol. 13 Issue 6 – Warren and Goldsmith

imageThe Review of Australian Fiction continues to support not only Australian speculative fiction but Australian fiction in general, publishing two stories every two weeks. Volume 1, Issue 6 delivers us two great Australian writers, one notably at the top of her game and the other who should be making waves in the very near future.

Kaaron Warren’s Mine Intercom, is everything you’d expect of a Warren story - unsettling and off kilter but subtle and familiar.  It’s well paired with Goldsmith’s The Jellyfish Collector, which while still speculative and unsettling is tonally much lighter.

The Mine Intercom is a story about Xanthe, a resident of an apartment building constructed over a mine that was the location of a mine collapse 20 years previously, entombing miners .  Part of her reason for moving there is the rumour that residents hear voices of the departed and she hopes that she might be able to communicate with her sister.  Warren hooks you in early with sympathy for the protagonist and the life she has endured and then strings you along with hope.  Great stuff.

Thankfully The Jellyfish Collector begins somewhat lighter with aquariums, beaches, and fond childhood memories.  The hardships that the protagonist Eva endures are those which most of us are likely to encounter at some stage.  The reader is treated to snippets of Eva’s life and her her trajectory from a child interested in Jellyfish and the sea, to a marine biologist attempting to protect a particular marine ecosystem from development.  There’s faint commentary on political indifference to the environment but essentially it’s interesting science mixed with the fantastic.

The Warren leaves me feeling delightfully chilled. The Goldsmith, while a kinder tale, leaves me with a sense of sad longing.

This copy was provided free of charge. You can subscribe to RAF here.


aww-badge-2015This review is part of the Australian Women Writers Challenge 2015.  Please check out this page for more great writing from Australian women.

 

 

 

 

 


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Mar 22, 2014

eBook Review – The Canals of Anguilar / Legacy (Review of Australian Fiction Vol. 5- Issue 5)

canalsThe Review of Australian fiction produces two stories every fortnight, introducing emerging and experienced Australian authors to a wider readership.  Each issue is edited/curated by a guest editor.  In this issue we have Kate Eltham, Director of the Brisbane Writer’s Festival.  Kate is reasonably well known in Queensland and in Speculative Fiction and she’s drawn on those communities to give us Western Australian speculative fiction author Lee Battersby and talented Queensland newcomer Amanda O’Callaghan.

Lee is a well known aficionado of the macabre and lives up to form in The Canals of Anguilar. A world/dimension hopping tale of cowards on the run.  I read this story shortly before going to sleep – not advisable.  It’s not particularly horrific in content but Battersby does manage to deliver presence of understated creeping dread.

And this tone is where these two stories mesh quite well.  O’Callaghan in her realist piece Legacy, manages to paint an ordinary picture of idyllic seaside England and underline it with, if not creeping dread, a certain weighty sadness.

The Canals of Anguilar as an introduction to non-speculative fiction readers is a good choice.  There’s some grounding in the real world before we make our way across worlds or dimensions and how this is done is mostly hand waved in folk tale like fashion.There’s no need to have a significant reading in the classics of the genre. The dread Battersby conjures up translates across all genres.

For readers who don’t generally read realistic or literary fiction I think O’Callaghan does a good job of revealing subtle horror in the everyday ( I shall say no more).

I am happy to have read another Battersby tale ( he hasn’t disappointed me yet) and am keen to read some more of O’Callaghan’s work. So a successful pairing to my reckoning.

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