Apr 28, 2013

Book Review – In Fabula-divino edited by Nicole Murphy

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In Fabula-divino is one of those projects that seemed to fly under my radar, despite being aware of and following many of the authors, the editor and publisher of the project.  I’ll let the Editor, Nicole Murphy explain the concept in her own words:

In March 2009, author and editor Nicole Murphy began the In Fabula-divino project – the aim being to provide up-and-coming authors with their first taste of a professional editing experience, mentor them through the ups and downs of a writing career and give a leg up to some talented writers.

The first few months were crowdfunded via Indiegogo. The first four stories were turned around in just three weeks, undergoing at least three rounds of editing in that time. The later stories were edited over a two month period.

Each story was published online, available for a month here on this very website, before it was replaced by the next fabulous story.

Unfortunately, time and family health issues meant the project couldn’t continue at the standard Nicole had set….

 

The anthology was made available in electronic form and despite all the poor luck it had to confront getting there, a paperback version was launched over this past weekend at the Australian Natcon.

But you want to know about the stories don’t you?

I wasn’t a big fan of anthology’s or a big reader of short stories before I became a reviewer, so the last two years has been a bit of an education in reading the shorter form and getting the feel of how anthologies work and what defines a good one.  No anthology is going to be 100% everybody’s thing, it’s the nature of getting a large number of writers together and building something cohesive but that still allows individuality. 

In Fabula-divino lacks a unifying theme, but it’s a slim read so I didn’t feel that it impacted on my reading experience.  What Murphy has done is given us a sprinkling of reprints and original works (all we new to me) from well known authors of speculative fiction interspersed with some well work-shopped and edited work from new or up and coming authors.  It was a quick, satisfying read with some excellent work from new and seasoned writers alike.

From the seasoned writers, I was emotionally gutted by Kaaron Warren’s White Bed (her first published story if I’m not mistaken)- I should know by now what to expect from Kaaron, but this story is a prime example of why she picks up awards for her writing.  The second seasoned writer story that made an impact was Angela Slatter’s Dresses, Three, a fairy tale retelling.

Of the new writers SG Larner would have tied with Slatter for the story with the most emotional impact with her Regret, had the Warren not been included in the collection.  It’s a really good example of the kind of speculative fiction that easily straddles the boundary between fantasy and magical realism i.e. it would not have been out of place in a Lit Journal.

Stay Out of the Park by Janett L Grady was another story that I felt mixed emotion, horror and hope in any interesting fashion.  Finally I was kicking myself for not seeing the reveal in Holy Kench’s Zombie story, The Secret Life of a Zombie Fan, having been exposed to her unique fiction via her blog.

In Fabula-Divino is a mixed bag in the best sense of the word, a selection of good (some great) short stories, there’s no liquorice in this bag of lolliesY.

 

In Fabula-divino was published by eMergeant Publishing in partnership with Nicole Murphy and can be purchased through Amazon and Smashwords in electronic form. A review copy was provided for this review.


YI used to hate liquorice as a kid, and dreaded finding liquorice in bags of mixed candy.  I have come to appreciate it especially in Sambucca form.


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Book Review – Fragments of a Broken Land : Valarl Undead

fragments-of-a-broken-land-valarl-undead-a-fantasy-novel What do you get when “Australia’s Master of Dark Fantasy” sets out to write a debut adult fantasy novel?  Not Granddad's, journey through Middle Earth, that’s for sure.

I have read Robert Hood’s work before but short fiction is obviously different to the novel form, so I didn’t have any firm convictions going in – possibly the best way to approach a book really.

Other reviewers have compared Fragments of a Broken Land to that branch of the fantasy tree inhabited by Moorcock, Lieber and Vance. I know of these writers but have only ever played games that use them as a source material ( I’ll hand in my Fantasy Fan Union Card after this review).

So for the general fantasy reader, bereft of the esoteric knowledge bestowed on readers of Elric and Fafhrd what do you get? A world that is deceptively rich for one that exists only as a “solid firmament”.  Hood manages to evoke a sense of long history, a passage of time and an exoticism that doesn’t rely on orientalism.  It’s more sorcery than sword with a definite emphasis on the workings, metaphysics and consequences of manipulating “deep powers”.

In a place where no stars appear in the night sky, a group of strangers whose ancestries reach back to an earlier apocalyptic disaster are brought together to track down a resurrected corpse that might hold the key to the End of the World.

Structurally we have two stories, one that is a fairly straight forward fantasy quest, shadowed by the other which deals with the metaphysics, the unseen forces that impact on the first.  We have characters that exist in both stories and that are aware, though not always fully, of the existence of two differing realities.

Fragments of a Broken Land will take an investment of your time and attention.  This is not a book that you will want to devour.  It will exercise your brains as you hold these two storylines and attempt to figure their conclusion before the main character does.  It’s the mystery that pulls you through the book, the desire to know how Hood can pull the story, the world, together. 

Initially I found the dual storyline and the shared characters a work out, but I think the structure of the book emulates the state of confusion the main character is experiencing.  As the book progressed both I and the character seemed to get our head around things.  On reflection then, I feel the structure was well done.

Another thing I enjoyed was the use of poetry and song.  It’s a brave author that attempts these forms within a story.  Some readers will skip over them(why this is I am not sure) and  you have to have both skill and knowledge of poetic forms in addition to being able to place them in a fantasy setting and make them “sound” natural. So kudos to Hood for doing so.

Fragments of a Broken Land is a rich, thought provoking fantasy read with elements of horror.  It’s a book that requires some fantasy grounding and possibly a mature reading experience to fully enjoy ie you don’t get annoyed when things aren’t handed to you on a plate.


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Apr 27, 2013

The Ditmar Awards 2013 in tweets and pictures

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